Visiting Sketch Artist Demonstration Don Colley

Visiting Sketch Artist Demonstration Don Colley Dots ‘N Doodles Art Supplies Saturday May 6th 12:00 pm – 2:00 pm 2 hour sketch journaling demonstration with Don Colley Don Colley:  Practice. It must be done. I was a weekly regular at area venues for drawing from life. For various reasons, I… Continue reading

March Newsletter Events

Dots ‘N Doodles Newsletter Events Update Art Supplies Advice new website for artists Check out his great new site. If you are searching to join an art community where questions can be answered, information found or great sources and feedback on art materials and stores check out Art Supplies Advice… Continue reading

Newsletter Dots ‘N Doodles March 2016

Newsletter- Saturday April 9th (ARTWALK) Newsletter Dots ‘N Doodles News Update March 2016 Out For The Day   Dots ‘N Doodles will be closed on Friday, April 1st Due to a medical appointment…sorry for the inconvenience. . Sign Up Now: Ward Jene Stroud – watercolor artist Saturday, April 9th 1:00… Continue reading

David Kitler Visiting Artist

I hope these beautiful images inspire you to join the 3 day drawing class with instructor artist David Kitler.  David is an international acrylic wild life painter as well as drawing instructor and he will be visiting Dots ‘N Doodles and The Astoria Art Loft for a 3 day workshop. … Continue reading

More Carl Dalio

Carl Dalio: Art and artist

I was meandering through Carl’s website and of course came across more beautiful images.  What I think we all have to remember is that the art comes from within us and Carl demonstrates a consistency across mediums.  Not only is he a watercolor painter but he also does oil painting and pastels as well.

Carl’s landscape watercolor paintings

I lifted this from his website (thanks Carl):

GATHERING STARLIGHT

For as long as I can remember I have thrived on the stuff of life and imagination, what is seen and accepted and what can be envisioned and embraced each day.  I have maintained a keen interest in how things are made and how things work. I grew up on the northwest edge of Houston, Texas and, for a while, experienced adventures in what appeared to be ?the country life’. The expanding city ultimately overtook our quiet neighborhood and I embarked on even more discoveries under the heading ?big city life’. Additionally, frequent family jaunts down to the Gulf coast brought me a treasure of inspiration and knowledge about the sea, wildlife, the beauty of the outdoors, the study of clouds and weather and the raw power of nature.

Whatever my location, I spent most days observing the workings of everyday life, gathering in a huge, experiential and visual ?file’ of systems, form and color from all the action around me. And I spent countless hours inside my mind, a determined, yet innocent, interior world where I processed snipits of the environment of family, people, activities, places and noise. In my own way I cataloged constant, incoming information into an atmosphere of quiet and order.

I think this prolonged processing and an emerging sense of self, placed the creative realm squarely on my path. Early forays into self-expression produced feelings of excitement, inspiration and energy. In my eyes, I had limited, yet promising results. Everything was up for consideration in the laboratory of my world: building rockets, boats, tree houses, simple furniture; experimenting with electronic contraptions, communications devices and chemical reactions; carving, drawing, color mixing and painting.

DISCOVERING TREASURES

With innate inquisitiveness and the influence of family, friends and teachers, I eventually came upon the works of Winslow Homer, Edward Hopper, John Pike and, especially, John Singer Sargent. A door opened to a banquet of color and expression. And through brief workshops with contemporary watercolorists, notably Charles Reid, a renewed kinship continued with the concepts of color temperature, spontaneity and just plain fun.

I became aware of still another facet of art through reproductions in newspapers, magazines and books. At a time when these publications were operating in their final years of employing hands-on, innovative, freelance artists to relate stories and sell products, I found the fascinating world of illustration. I was attracted to particular presentation styles and became familiar with the work of several, successful illustrators. I delved into the creations of earlier illustrators and held lots of them in high regard for their conceptual grit and wit.  Through their work, they demonstrated determination and a working knowledge of concise storytelling, daring, drama, action, composition, drawing, color and anatomy. And, to my delight, I learned that several of my favorite fine artists began with disciplined backgrounds in the commercial illustration arena.

Engaging the analytical side of my mind, interested in organization and structure, I began the exploration of another design domain. With an education and degree in architecture, I recognized and improved the thinking behind my earlier design/build tendencies. I gained knowledge of history, civilization, cities, living and working environments, architects, planning, broad thinking, philosophy, discipline, order, scale, materials, texture, 3D design and drawing. I became acutely aware of the total picture: humanity’s march through chaos, systems and structures connected to and intertwined with the world of art and ingenuity. Nothing exists in isolation: architecture is living, breathing sculpture. Art is alive and well in everything we see, do and imagine.

FINDING NORTH

And so this fusion of interests and experiences presented me with a unique calling. That calling came with complex and somewhat frustrating specifications. I launched my self-employed, creative ship on an ocean of possibilities with a course set for fine art and architectural illustration. To navigate a route in these waters took tremendous amounts of inspiration, determination and energy, which didn’t always come easily. And I faced frustration from trying to do two things well, living in career parameters described and expected by others and squeezing more hours out of a 24-hour day than drops of rain out of a thunderstorm.  Burning the candle at both ends got me plenty of new work and doing a project well while juggling brought me satisfaction, but sleep deprivation and angst was not a quality way to go for long stretches of days, months and years. Were these conditions the nature of the business?

Even during these times, I still grasped the remnants of possibilities, believed in seeing beyond the ordinary and aggressively dreamed outside the box. I mid-course corrected often, pulled rabbits out of hats and tried to ignore the crosscurrents as I sailed on through days (and nights). Things were tough but things were looking up. With every new illustration concept and technique I attempted and delivered, I gained a circle of clients who witnessed my dedication and believed in my judgment. With a reputation for winning presentations, I rose to the top of the architectural illustration field. To this day, I enjoy the distinction of working with outstanding architectural firms on projects around the world.

Along with a heavy schedule of illustration assignments and deadlines, I intentionally painted watercolors for the life of my art soul and entered local, regional and national juried exhibitions. Each entry was an opportunity to compete with the best, to grow as an artist and to clearly, genuinely and forcefully communicate personal emotion and observation. The results were encouraging. My work was juried into national exhibitions, won awards and traveled to national venues. I rose to the top of the fine art field and achieved signature membership into the American Watercolor Society (New York), the National Watercolor Society (California) and the Rocky Mountain National Watermedia Society (Colorado).

Publishers sent invitations to write articles and share my creative process and artwork in national magazines and books. Soon after, came invitations from an abundance of painting organizations to teach artists the soul-satisfying ways of watercolor. As a result, I discovered how much I enjoyed writing and teaching. An unbelievable blessing opened to me as I found myself demonstrating for and sharing with artists across the country and in foreign lands. I experienced the great pleasure of meeting wonderful people through my workshops and encouraging them in their own creative adventures. To this day, I enjoy a national reputation for dynamic design and energetic color in my paintings.

CHOOSING THE PATH

I believe and I’ve decided. I believe that there are many paths to the sanctuary of creativity. Employing sufficient time to record life and study history, to be open to quality and growth, to test old and new concepts and, unfortunately, on past occasions, to attempt to fit myself into the expectations of others, I have come to believe that I must wholeheartedly follow my own creative path. I believe that the path that I chose (or chose me) is custom made and materializes in front of me with amazing timing. I believe I have the responsibility along this path to fully and fearlessly engage aafternoon-in-northern-new-mexicond participate in the blessings of my creative potential. I believe that art, its definition, artists and the process of art, resides comfortably on a vast creative spectrum. I believe that life and creativity are offered to all of us to be enjoyed and celebrated.

I’ve decided that accepting the fact that creative energy is prone to fluctuation in this artist life, is the reasonable thing to do. I’ve decided creative spirits do pretty well inside these human bodies under earthly conditions and temporal limits. We must keep in mind that complex, creative spirits, accustomed to operating thousands of celestial switches, must operate within a human, two-button, Etch-a-Sketch system. I’ve decided to add beauty and peace to the world, to kick up my awareness of the present, to import fearless living, to appreciate simplicity and to foster ease and grace.

Happy living and creating.

 

Carl Dalio Astoria Watercolor Workshop

All Posts Watercolor Dynamics – Think outside the box of your photos Carl Dalio Workshop, Astoria, Oregon Learn to create powerhouse watercolors Learn to create powerhouse watercolors using your own photo references in our Carl Dalio Astoria Watercolor Workshop. Are you tired of struggling with your photos and being disappointed… Continue reading

Wildlife Artist David Kitler

David Kitler will be leading a 3 day workshop here in Astoria.  This event will be hosted by Dots ‘N Doodles Art Supplies and the Astoria Art Loft. David is an artist with international reputation and has been deeply involved with wildlife conservation.  In coordinating with David regarding his visit… Continue reading

Watercolor Workshop – Painter Carl Dalio

Watercolor Workshop – Master painter Carl Dalio

Watercolor Dynamics – Think outside the box of your photos

Astoria, Oregon

Learn to create powerhouse watercolors using your own photo references in a watercolor workshop with master painter Carl Dalio. Are you tired of struggling with your photos and being disappointed with your watercolor results? Painting from life is certainly the best teacher for the effects of light and color. But when that’s not possible, many artists turn to their photo references and get trapped into “reporting” what the photo is dictating, detail by detail. Learn how to transform static camera images into inspired, passion-filled paintings that celebrate our human selves in this watercolor workshop. AWS and NWS Signature member Carl Dalio, will show you how to create vibrant paintings that not only get into exhibitions but win awards.

In this watercolor workshop, Carl will guide you through the necessary steps to obtain valuable, quality photo references, to develop story line concepts, to edit and simplify subject matter and to evolve dynamic compositions filled with light-energized color. His watercolor workshop will also cover simple concepts to a pain-free understanding of perspective.

Each day in this four day watercolor workshop Carl will begin with a demonstration painting, followed by brief concept exercises and lots of personal painting time. There will be daily critiques and, whether individual or group, they will be positive and honest and are always intended to support and inspire.

About Carl Dalio

International artist, Carl Dalio, is well known for his expressive use of color and his friendly, easy-going teaching style. He has conducted inspiring watercolor workshop demonstrations in the U.S., Canada, Mexico, Europe and Indonesia. His paintings, infused with vibrant light and saturated color, have appeared six times on the covers of national art magazines. He is a signature member of the American Watercolor Society (AWS), National Watercolor Society (NWS) and Rocky Mountain National Watermedia Society. He has served as a juror for numerous national exhibitions including the AWS and NWS. In joyfully sharing his experiences as a professional artist, Carl’s goal is to encourage students to find and engage their own personal and creative spirits.

See his latest Inspirational Painting Videos @ www.carldalio.com

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